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While the Internet has come to play a significant role in screen narratives, an undercurrent in many depictions ? in varying degrees of fervour ? is that the Web is complicated, elusive and potentially even hazardous. This paper focuses on some of the persistent negative frames used in portrayals of the Internet and examines how, and why, they recur. This paper focuses on four technophobic frames including dehumanisation, the Internet as a badlands, the Web as possessing inherent vulnerabilities and the cyberbogeyman. Explanations for the popularity of these frames ? notably as grounded in the mandates of filmmaking ? are also proposed.
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